T.L. Cowan (she/they) is an Assistant Professor of Media Studies in the Department of Arts Culture and Media (UTSC) and the Faculty of Information at the University of Toronto, as well as a cabaret and video artist. Her creative-research practice moves between page, stage, and screen.
T.L.’s research focuses on cultural and intellectual economies and networks of minoritized digital media and performance practices. Notable commissions for their creative-critical work include the PlugIn Institute of Contemporary Art in Winnipeg, Queens Museum in New York City, and Nuit Blanche in Toronto. She is currently completing two monographs, Transmedial Drag and Other Cross-Platform Cabaret Methods, and The Needs of Others: Trauma, Media & Disorder.Their most recent essays are published in Moving Archives (2020), The Routledge Companion to Digital Humanities & Art History (2020), American Quarterly (2020) First Monday (2018),Liminalities: A Journal of Performance Studies (2016), More Caught in the Act: An Anthology of Performance Art by Canadian Women (2016, edited by Johanna Householder and Tanya Mars) and as part of Alexandra Juhasz’s #100 Hard Truths.
T.L. frequently collaborates with Jasmine Rault. Together, they hold a SSHRC Insight Grant (2019-2024), entitled “Networked Intimate Publics: Feminist and Queer Practices of Scale, Safety and Access,” and a SSHRC Insight Development Grant (2017-2020), entitled “Building a Digital Research Ethics Collaboratory for Minor(itized) Materials.” In addition to the Cabaret Commons, Cowan and Rault co-director another online research site: the Digital Research Ethics Collaboratory (DREC). They are also co-editors of a “Metaphors as Meaning and Method in Technoculture,” a special section of Catalyst: Feminism, Theory, Technoscience (Fall 2022) and a book entitled Heavy Processing, about trans- feminist and queer digital research methods and ethics. You can see early versions of Heavy Processing on the DREC.
The SpokenWeb Research Network (www.spokenweb.ca) will host an in-person and virtual graduate student symposium (academic conference) to be held at Concordia University in Montreal, 16-17 May 2022, on the theme of “The Sound of Literature in Time.”